Little is known about Kunikazu who was active in the Osaka area between 1848 and 1868.1 While several sources list him as a student of Utagawa Kunisada I (1786–1865), a.k.a. Toyokuni III, others list him as a student of Toyokuni I and Toyokuni II without mentioning Kunisada.2
Mainly known for his prints of the kabuki theater, Roberts calls him a "highly accomplished technician"3 and Schwaab writes that "his better theatrical material produced between 1853 and the advent of aniline colors, includes some remarkably fine designs and an extraordinary level of printing."4
In addition to theater prints, Kunikazu designed several Yohohama-e and designed along with Utagawa Yoshitaki (1841-1899) and Utagawa Yoshiyuki (act. 1848-1864) the series One Hundred Views of Osaka (Naniwa hyakkei) published in the early 1860s by Ishikawaya Wasuke (Ishiwa), an example of which is shown below.
His artist name (gō) is 一珠斎 Isshusai (also seen as Ichijusai).
This artist should not be confused with another artist named Kunikazu (active c. 1856-1858) who used the characters 國計 for his name.
Evening View of the Tenjin Festival (Tenjin matsuri yūkei),
from the series One Hundred Views of Osaka (Naniwa hyakkei)
「浪花百景 天神祭り夕景」
Isshusai Kunikazu (Japanese, active about 1848–1868)
Signed: Kunikazu ga 国員画
Publisher: Ishikawaya Wasuke (Ishiwa), early 1860s
Dimensions: Vertical chūban; 24.5 x 17.8 cm (9 5/8 x 7 in.)
Museum of Fine Arts Boston Accession Number 11.30390
国員
Kunikazu
国員
Kunikazu
国員写
Kunikazu sha
一珠斎国員需画
Isshusai Kunikazu ga
應国員需画
ōju Kunikazu ga
花陽樓國員画
? Kunikazu ga
unread seal
国員
Kunikazu
sealed Kunikazu
click on thumbnail for print details