Engei shashin Volume 2, 1923

A WORK IN PROGRESS - DRAFT

Selected Pages from Engei shashin Volume 2, Number 11, November 1923

IHL Cat. #2738

click on image to enlarge

Engei shashin Volume 2, Number 11

演藝冩眞 第二年第十一号


cover art (lithograph): Shibaraku

artist: Koshō Nobukata 古荘信方, active 1896-1926

signed: no signature; sealed: 信方 Nobukata within black outlined rectangular cartouche

published: November 1, Taishō 12 (1923)

publisher: Engei shashin company

大正十貳年十一月壹日 發行

發賣所 演藝寫真社

overall size: approx. 8 9/16 x 11 7/8 in. (21.8 x 30.1 cm)

From the Preface - A Response to the September 1923 Great Kantō Earthquake

Looking at the formations of geese in the clear blue sky and seeing the mountains and fields adorned with a crimson brocade, we are in a wonderful season. We sincerely congratulate our esteemed readers for their continued support and wish them the utmost prosperity. Last July, our company launched "Performing Arts Photographic" to introduce emerging arts [e.g. shingeki 新劇, New Theater], which have become the darlings of modern culture, to society by gathering the finest talents from the theater world, both East and West. This publication received overwhelming praise and achieved remarkable growth, rare in the publishing world, soon after its launch, leading to the prosperity we enjoy today. This success is entirely due to the tremendous support from our readers and the extraordinary talents of the actors, for which we express our deepest respect and gratitude.

On September 1st, a historically unprecedented earthquake struck the Kantō region [Great Kantō Earthquake, September 1,1923] centered around Tokyo, causing near-total destruction to the proud cultural cities of Tokyo and Yokohama. In response, our company dispatched staff to the disaster areas to document the situation and bring attention to the plight of the victims suffering from hunger, urging our fellow countrymen to provide aid as quickly as possible. Braving numerous challenges, our team worked tirelessly to capture the scene, and as a result, we were able to publish "Earthquake Disaster Report" leading the nationwide photo magazines. We received overwhelming requests, with tens of thousands of copies sought. This experience has made us keenly aware of the significant contribution that photo magazines can make to cultural advancement and social service. Consequently, we have launched a photo newspaper*, unprecedented in the East. Unlike traditional photo journals, this photo newspaper will capture daily events occurring in society, providing detailed explanations and publishing them monthly, serving as invaluable historical and educational material, unmatched by any other. Going forward, our company is committed to our photo newspaper and "Performing Arts Photographic," dedicating all our efforts to producing superior content with each issue to meet and exceed the expectations of our readers. We earnestly request your continued support and patronage.

*The Shashin shinbun 寫眞新聞 was launched in December 1923

November 1, 1923 

Kansai Bungeisha Ltd. Partnership

Eigei Shashinsha Management

Shashin Shinbunsha

Preface thanking readers and announcing launching of the Shashin Shinbun a photo newspaper. The publisher's response to the September 1, 1923 Great Kanto Earthquake is discussed, see above. (See "From the Preface" above.)

Frontispiece (color lithograph)

Ichikawa Ennosuke [II] as Musashibō Benkei designed by Koshō Nobukata 古荘信方 (active 1896-1926), signing his name 信方 Nobukata and using the seal のぶかた Nobukata.

Cartouches in upper right reading 武藏坊辦慶 川猿之助 (Ichikawa Ennosuke as Musashibō Benkei)

京都明治座十月狂言 『大森彥七』

Kyōtō Meij-za October Performance

Omori Hikoshichi

中村扇雀の千早姫

Nakamura Senjaku [I] (1902-1983) as Chihaya Hime

市川小太夫の大森彥七

Ichikawa Kodayu [II] (1902-1976) as Omori Hikoshichi


『武藏野の狸』

Musashino no Tanuki

Due to the earthquake, the performance of "Tanuki of Musashino" by the Soganoya comedy troupe* will be held at Osaka Nakaza in October

牝狸 (大磯): Female Tanuki ([Soganoya] Ōiso)

古狸 (五郎): Old Tanuki ([Soganoya] Gorō)

牡狸 (蝶六): Male Tanuki ([Soganoya] Chōroku)

*see "Soganoya Comedy Troupe"

*Soganoya Comedy Troupe

Source: Soganoya, Gorō (1877–1948) by Fukushima Yoshiko, Routledge Encyclopedia of Modernism, Taylor and Francis, https://www.rem.routledge.com/articles/soganoya-goro-1877-1948

Soganoya, Gorō (1877-1948) was a Japanese actor, director and playwright who created a new genre of modern comedy called kigeki (also shinkigeki.) He wrote around 1,000 short comedies under the pen name Ikkai Gyojin. His comedy style was inspired by humor as well as the satirical and ironical laughter of Western comedy such as that of Moliére. Many of his works are still performed by the comedy troupe, Shōchiku Shinkigeki. His signature pieces include The Flower of the Luffa (1917) and Cherry Trees in Leaf (1933).

Soganoya became a student of the kabuki actor Nakamura Sangorō in 1892 and made his stage debut as the utility actor Nakamura Sannosuke at Osaka’s Naniwaza in 1893. In 1902 he met Nakamura Tokizo’s student, Nakamura Jidai (1869–1925) at the traveling kabuki troupe Osaka’s Fukuiza. In 1903, using their new names, Sannosuke as Gorō and Jidai as Jūrō, they formed Soganoya Brothers Troupe in order to create new comedy to replace the old style of comedy called niwaka which had been established by Tsuruya Danjurō in Osaka. Their debut in 1904 at Yūokaza in Itami near Osaka was a failure, but their first success came with Funny Kanjinchō acted for the traveling kabuki troupe, Nakamura Fukuen Ichiza in Wakayama, in which Gorō acted the role of Benkei and Jūrō Togashi.

滅茶々々になつた東京の劇場

Tokyo's theaters a complete mess

top right: Shintomi-za in Shintomi-chō

top left: Meiji-za in Hisamatsu-chō

bottom: Yūraku-za in Marunouchi

京都明治座 青年歌舞伎 十月狂言

『辨天女男白浪』五人男

白浪五人男 

Kyoto Meiji-za, October Young Men Kabuki (Seinen Kabuki) performance: Benten musume meo no shiranami, gonin otoko

Ichikawa Kodayū [市川小太夫 二代目 (1902-1976)] as Benten Kozō Kikunosuke

Ichikawa Enzō [市川莚蔵 初?代目 (?-?)] as Nango Rikimaru

Nakamura Senjaku [中村扇雀 初代目 (1902-1983)] as Tadanobu Rihei

Kataoka Shūrō [片岡秀郎 (1888-1958)] as Nippon Daemon

Arashi Kakuzō [嵐玨藏 (嵐珏蔵) 五代目 (1900-1980)] as Akaboshi Jūzo 

舞臺顔ご素顔を見比べて頂戴 

Please compare the stage faces with their real face 

back row — Fukuoka Kimiko 福岡君子, Fujino Tsutae 富士野蔦枝, Izumo Hisae? 出雲久榮

front row - Miyoshi Eiko 三好栄子, Tamamura Utaji 玉村歌路, Fumiko Katsuragi 葛城文子 

Colophon and announcement of prize winners

(see Colophon Details for publishing information in left margin)

Right side within border: announcement of prize winners for free subscriptions.

Left side within border: Listing of branch offices of Engei shashin

Colophon Details


Performing Arts Photographic, issue 11 of the second year, published once a month on the 1st day

Approved as a third-class mail item on July 5, Taishō 11 (1922)

Printed and submitted on October 28, Taishō 12 (1923)

Published on November 1, Taishō 12 (1923)

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all rights reserved

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Price per copy: 50 sen

New Territory (shin ryōdo*): 70 sen

Postage: 1 sen 5 rin

* the Japanese colonies of Korea, Taiwan, Southern Sakhalin Island, Kuril Islands, South Pacific Mandate

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Editor and publisher: Takashima Komanosuke

Printing house: Ando Photography and Printing Works

Printer: Ando Kanenori

Publishing house: Kansai bungeisha (Limited Partnership Company) managed by Engei shashinsha

Colophon Transcription


演藝寫第二年第十一號每月一回一日發行

大正十一年七月五日第三種郵便物認可

大正十二年十月廿八日印刷納本

大正十二年十一月一日發行

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不許複製

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定價壹部 金五拾錢

新領土 金七拾錢

郵稅壹錢五厘

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編輯兼發行人 高島駒之助

印刷所 安藤寫製版所

印刷人 安藤兼則

發行所 合資會社

關西文藝社經營 演藝寫

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