Kyūshū Mamehon 20, 1956
Kyūshū Mamehon 20, 1956
Embedded Files
IHL Cat. #2279
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Kyūshū Mamehon 20
Oedo Special Edition
Kyūshū Mamehon Association
[cover art: Sakai Hideo]
九州・まめほん
お江戸特集
九州豆本の會
page size (open): 4 x 6 3/8 (10.2 x 16.2 cm)
click on an image to enlarge
Note: transcriptions and their translations below are subject to my error.
pages 2-3
初山滋氏
Mr. Hatsuyama Shigeru
frontispiece
[size: 3 11/16 x 2 1/2 in. (9.4 x 6.4 cm)]
page 1
十九五六・三
お江戸特集
九州豆本の会
March 1956
Oedo Special Edition
Kyūshū Mamehon Association
front inside cover
pages 8 and 9
page 8
限定120部
本册第28番
Number 28 of a limited edition of 120 copies
page 9
九州・まめほん 第二十号
Kyūshū Mamehon 20
お江戸特集 目次
Oedo Special Edition Table of Contents
版画 初山滋
woodblock print: Hatsuyama Shigeru
藏書票 芹沢銈介
bookplate Keisuke Serizawa
肉筆画 （扉・表紙）酒井秀夫
hand-painted picture (title page・cover) Hideo Sakai
名匠というもの 武井武雄
[article]: "A Master Craftsman" by Takei Takeo
江戸の花 斉藤昌三
[article]: "Flower of Edo" by Saitō Shōzō
江戸気質 水曜荘主人 [酒井徳男]
"Spirit of Edo" by Suiyōsō Shujin [Sakai Takuo])
pages 6 and 7
page 6
江戸古玩・ (虎)
『ずぼんぼ』
材料 紙 (首胴) 鳥毛 (ヒゲ, 尾)
貝 (足)
よリなる風稚な玩具なリ
【水曜莊主人】
Edo antique toy ・(tiger)
『Zubombo』
[a paper toy that looks like a tiger or a lion dance.]
materials: paper (neck and head), bird feathers (whiskers), shell (legs)
This results in a little child's toy
【Suiyōsō Shujin】[pen name of Sakai Tokuo]
[size: 2 11/16 x 3 7/8 in. (6.8 x 9.8 cm) ]
page 7
酒井秀夫 氏
Mr. Hideo Sakai
pages 4 and 5
芹沢銈介氏
Mr. Serizawa Keisuke
ex libris tiled 坂本??
[size: 2 5/8 x 2 3/8 in. (6.7 x 6 cm)]
pages 14 and 15
名匠というもの 武井武雄
"A Master Craftsman" by Takei Takeo
page 12 and 13
名匠というもの 武井武雄
"A Master Craftsman" by Takei Takeo
pages 10 and 11
page 10 [table of contents]
私の東京雑記帖 佐々木桔梗
[article]: My Tokyo Notebook by Sasaki Kikyō
[article]: 書友余話 八木福次郎
[article] by Yagi Fukujirō
上方から江戸へ 坂本一敏
"From Kamigata to Edo" by Skamoto Kazutoshi
限定本だより
Limited editions
新会員紹介
new members
豆本箱頒布会報告
mamehon distribution meeting ? report
あとがき
postscript
page 11
名匠というもの 武井武雄
"A Master Craftsman" by Takei Takeo
page2 20 and 21
江戸の花 斉藤昌三
"Flower of Edo" by Saitō Shōzō
pages 18 and 19
page 18
名匠というもの 武井武雄
"A Master Craftsman" by Takei Takeo
page 19
江戸の花 斉藤昌三
"Flower of Edo" by Saitō Shōzō
pages 16 and 17
名匠というもの 武井武雄
"A Master Craftsman" by Takei Takeo
pages 26 and 27
page 26
江戸気質 水曜荘主人 [酒井徳男]
"Spirit of Edo" by Suiyōsō Shujin [Sakai Takuo])
page 27
私の東京雑記帖 佐々木桔梗
[article]: My Tokyo Notebook by Sasaki Kikyō
pages 24 and 25
江戸気質 水曜荘主人 [酒井徳男]
"Spirit of Edo" by Suiyōsō Shujin [Sakai Takuo])
pages 22 and 23
page 22
江戸の花 斉藤昌三
"Flower of Edo" by Saitō Shōzō
page 23
江戸気質 水曜荘主人 [酒井徳男]
"Spirit of Edo" by Suiyōsō Shujin [Sakai Takuo])
pages 32 and 33
私の東京雑記帖 佐々木桔梗
[article]: My Tokyo Notebook by Sasaki Kikyō
pages 30 and 31
私の東京雑記帖 佐々木桔梗
[article]: My Tokyo Notebook by Sasaki Kikyō
pages 28 and 29
私の東京雑記帖 佐々木桔梗
[article]: My Tokyo Notebook by Sasaki Kikyō
pages 38 and 39
書友余話 八木福次郎
[article] by Yagi Fukujirō
pages 36 and 37
書友余話 八木福次郎
[article] by Yagi Fukujirō
pages 34 and 35
page 34
私の東京雑記帖 佐々木桔梗
[article]: My Tokyo Notebook by Sasaki Kikyō
page 35
書友余話 八木福次郎
[article] by Yagi Fukujirō
pages 44 and 45
上方から江戸へ 坂本一敏
"From Kamigata to Edo" by Sakamoto Kazutoshi
pages 42 and 43
上方から江戸へ 坂本一敏
"From Kamigata to Edo" by Sakamoto Kazutoshi
pages 40 and 41
上方から江戸へ 坂本一敏
"From Kamigata to Edo" by Sakamoto Kazutoshi
pages 50 and 51
page 50
あとがき
postscript
page 51
豆本箱頒布会報告
mamehon distribution meeting ? report
pages 48 and 49
page 48
新会員紹介
new members
page 49
あとがき
postscript
pages 46 and 47
限定本だより
Limited editions
rear inside cover page
pages 52 and colophon
九州・まめほん 第20号
昭和三十三年三月十日
『ずぼんぼ』
発行所 大分県下郷局区内
官?
水谷護 方
九州豆本の会
Kyūshū ・Mamehon 20
March 10, 1958
publishing house: Oita Prefecture, Shimogō
Bureau Director: Mizutani Mamoru
Kyūshū Mamehon Association
Profiles of the Artists
Profiles of the Artists
undated photo of artist
Hatsuyama Shigeru 初山滋 (1897-1973)
Primarily known as an illustrator of children's books, Hatsuyama was also a successful sosaku hanga artist. As a young teenager he apprenticed at a fabric dyeing shop, which he did not enjoy. Introduced to the illustrator and woodblock print artist Igawa Sengai (1876-1961) he became one of Sengai's student employees. He would be hired as an illustrator for a children's magazine, which would become his specialty.
For more information on this artist see Hatsuyama Shigeru 初山滋 (1897-1973)
undated photo of artist
Serizawa Keisuke 芹沢銈介 (1895-1984)
Serizawa Keisuke 芹沢銈介 (1895-1984)
"Born into a family of cloth merchants, Serizawa was, literally, born into textiles. His grandfather was a calligrapher and, likely, the inspiration behind Serizawa’s subsequent use of Japanese symbols and Chinese letters in his designs. Early in life, he began painting and aspired to the fine arts. When his family’s financial setbacks dashed these hopes, he enrolled at a design college. After graduating, he began teaching and found work as a commercial designer, two pursuits that followed him for the rest of his life." [1]
A world famous designer, painter, illustrator, dyer, book, paper and print maker, Keisuke Serizawa attracted international attention as early as 1925 for his distinctive Kataezome style, combining Japanese dyeing techniques with those of Okinawan bingata (stencil-dyed textiles.) This he applied with equal success to kimono and fabric patterns, wall hangings, paintings, fans and original prints. Above all, Keisuke Serizawa became a leading artist of 'Mingei' -- which in Japanese generally means folk art.[2]
Keisuke Serizawa was named a Living National Treasure by the Emperor of Japan in 1956 for his distinctive kataezome style.
For additional information on the artist go to A Little About Serizawa Keisuke.
[1] https://www.studiointernational.com/index.php/making-art-in-paradise--serizawa-master-of-japanese-textile-design
[2] Mingei International Museum https://mingei.org/exhibitions/the-art-of-keisuke-serizawa
Sakai Hideo 酒井秀夫 (1902-1981)
Sakai Hideo 酒井秀夫 (1902-1981)
Younger brother of bookmaker, hobbyist and author Sakai Tokuo 酒井徳男 (1897-1973). Hideo specialized in tesaishiki hanga (hand colored prints) and is best known for his hand colored prints of folk toys.
Sakai Tokuo 酒井徳男 (1897-1973)
Sakai Tokuo 酒井徳男 (1897-1973)
Sakai Tokuo 酒井徳男 (1897-1973) worked for the Tokyo Shinbun for almost thirty years. He was a bookmaker, self-publishing much of his work, hobbyist and author who went by the pen name Suiyōsō Shujin 水曜荘主人. He was the older brother of Sakai Hideo 酒井秀夫 (1902-1981).
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